It seems we’re living in the age of the spin-off series. Intellectual property (IP) that has proven successful is now seeing a surge of either origin or ‘where-are-they-now’ stories surrounding established characters (Better Call Saul, Young Sheldon, the upcoming That 90s Show etc.), or shows providing more context on the show they are spun-off from (1883, How I Met Your Father etc.). No truer is that than in Disney’s wave of Star Wars limited series.
There’s no question that the Star Wars universe lends itself to this surge of content more than any other property available. That’s not to say that there aren’t other major IP’s that have the same possibilities, with the widely popular Game of Thrones set to see Kit Harrington reprise his role as everyone’s favourite, nothing-knowing Jon Snow.
But in Star Wars, Disney has a well with an endless supply of content, and one that the entertainment behemoth is unlikely to ever to stop drilling. From The Book of Boba Fett to the latest Obi-Wan Kenobi show, the last year has seen Disney already churn out two Star Wars-centric shows for two iconic characters from the franchise. And with a long pipeline of further shows to come —Andor, Ahsoka and Lando, to name a few— it looks like spin-offs are on the menu and Disney is ready to keep serving them.
That’s not necessarily a problem though. Even with a minority of fans that would like to see more shows in the vein of The Mandalorian than that of a bounty hunter whose fate was seemingly set in stone almost 40 years ago, there’s still lots of good to come with the bad.
The one big positive is the sheer amount of talent that has been involved in each of the shows. From less renowned directors like Rick Famuyiwa, Kevin Tancharoen and Bryce Dallas Howard, to more established directors like Taika Waititi, Robert Rodriguez and Jon Favreau — the spoils have been shared across the board.
It’s in Obi-Wan Kenobi though, that Disney have managed to return to something so familiar and etched in Star Wars history. By allowing Deborah Chow to direct all six episodes of the show, there is a level of balance restored to the force (as it were) and the franchise. The singular vision of Chow’s Obi-Wan Kenobi is one that goes back to the roots of what made the franchise so iconic in the first place — George Lucas.
That’s not to say that the show is without its faults, as there isn’t much in the way of storytelling beats that you wouldn’t find in The Mandalorian. The premise is really similar to that of The Mandalorian (a hero thrust into the far reaches of the galaxy to escort a child home safely is hardly exciting) albeit that isn’t a fault of Chow’s given she didn’t pen the episodes. But to call this a shortcoming of Obi-Wan Kenobi isn’t a large criticism, given that The Mandalorian has offered the most compelling storytelling of all the current crop of Star Wars shows, so if any other Sci-Fi oriented shows are drawing from it, then more power to them.
Unfortunately some of those shows include Paramount’s expensive adaptation of the beloved video game Halo which has had more problems than simply trying to emulate The Mandalorian‘s success. If anything really lets Obi-Wan Kenobi down it’s that it was always sold as a six episode limited series as opposed to something like The Mandalorian which will push three seasons next year.
There’s speculation that a second season of the show could happen, but one can’t help but wonder how much more refined the show could have been if it had stretched out its characterisation and storylines across more episodes. Obi-Wan Kenobi was always going to be a success —after all, it’s ‘Star Wars’, and sees fan-favourites Ewan McGregor and Hayden Christensen return— so why take a limited series approach? To have people request a second season at the show’s conclusion anyway?
It’s understandable that certain entertainment companies will want to play it safe by taking up a limited series format and waiting for the public reception before greenlighting a further season. But Disney is the biggest entertainment company in the world, and Obi-Wan Kenobi was always going to do well. By limiting the show to only six episodes and cramming everything (including that long awaited battle) into these episodes, there really isn’t a reason to bring Hayden Christensen back for a second season even though he’d love to, and which will probably happen in some capacity anyway. Obi-Wan Kenobi would have benefitted from more episodes to give the character a more refined arc than simply a baby-sitter who finds strength and hope as a result of said babysitting.
Maybe I’m being too harsh as I do feel that Deborah Chow found her groove by being the sole director here, and it was a delight to see Ewan and Hayden put on the jedi-esque robes and Darth Vader suit, respectively. It might be my adulation for a show like Better Call Saul and its extraordinary writing, but if there is to be a second season of Obi-Wan Kenobi, let’s hope that it’s given ample time to develop further and does keep some mystery tucked away for later.
All six episodes of Obi-Wan Kenobi are now streaming on Disney+