The 5 Best Johnny Depp Performances, Ranked

Geoffrey Rush has hailed him as “one of the great character actors of our time, trapped in a leading man’s body” and whether you love him or hate him, there’s no denying that Johnny Depp has cashed in some of the most unique and memorable performances of the last 30 or so years. From Edward Scissorhands, Ed Wood, and Donnie Brasco right through to Captain Jack Sparrow, Willy Wonka and Sweeny Todd  — there’s no shortage of the irreverent and iconic. These are Johnny Depp’s five best performances, ranked.

5. Donnie Brasco in Donnie Brasco (1997)
Johnny Depp as Donnie Brasco

Directed by Mike Newell and based on a true story (‘Donnie Brasco: My Undercover Life in the Mafia’), Donnie Brasco represents the first real instance where Depp plays a straight shooting, no nonsense character on the big screen.

Depp’s character, Joe Pistone, infiltrates the New York mafia under the guise of Donnie Brasco where he befriends Lefty Ruggiero (Al Pacino) and works undercover to expose mafia leader Sonny Black (Michael Madsen).

It is through the Depp/Pacino on-screen dynamic that this film separates itself from simply being another cliched 90s gangster, mafia type ordeal. Pacino plays a much more heartfelt character while channelling all the qualities (loud voice, edgy movements, alluring eyes) that have underpinned his performances prior.

Depp compliments Pacino’s supporting role by matching him in those qualities while also proving that he has more reach as an actor should he be offered the right role to display it. He plays the anxiousness of this character so effectively and you can sense the difficulty of his characters position as an informant through this anxiousness.

4. Ed Wood in Ed Wood (1994)
Johnny Depp as Ed Wood

The first of two Tim Burton collaborations on this list, Ed Wood is perhaps best known for Martin Landau’s Oscar winning support performance, but Johnny Depp’s portrayal as the titular cult classic filmmaker was just as profound.

Like the real Edward Wood, Depp has certain eccentricities that can come across as quite peculiar, and they have allowed him to play strange characters, like Wood, on-screen in ways that other actors would not have. Depp’s casting as Wood can be considered a “perfect fit” by Richard Dyer’s work on Star Theory, as his star image fits perfectly with all the traits of the character, and he leans into the strangeness of Tim Burton’s own unique vision to bring the character to life.

In this way, Depp’s performance as Ed Wood is the first real instance where the actor finds a balance between the humorous characteristics he would later inject into his performances to a greater extent, as well as the more heightened moments of ecstaticity.

3. John Dillinger in Public Enemies (2009)
Johnny Depp as John Dillinger

Depp’s performance as the notorious American gangster/outlaw John Dillinger is perhaps the most contentious on this list. That might be due to the film in question, with Public Enemies being one of Michael Mann’s less layered works compared to say Heat (1995) or Collateral (2004), but it works because Mann is able to get the best out of his performers.

John Dillinger was evidently quite a misunderstood man by Mann’s depiction as he was more interested in taking from the state rather than from regular folk and found a certain connection to the people, and they to him. Depp can be seen as quite a misunderstood figure as well if not for his really uncanny demeanour, then definitely for the way he approaches his work and collaborations.

His performance as Dillinger is quite a strong one in that sense and it also represents a return to performances and films more akin to Donnie Brasco and a later mafia-esque film in Black Mass (2015).

2. Edward Scissorhands in Edward Scissorhands (1990)
Johnny Depp as Edward Scissorhands

Edward Scissorhands is easily one of Depp’s best performances due to how well the actor brings Tim Burton’s interest in outsiders and outcasts to light. Burton has never been shy on exploring characters who separate themselves from the public eye (like in his Batman films) or characters immersed in strange, gothic settings (like in 1988’s Beetlejuice).

A large reason why films like Edward Scissorhands and Sweeny Todd: The Demon Barber of Fleet Street (2007) work is because the synergy between Depp and Burton allows them to get to the heart of why these characters are the way they are.

There’s no doubt that Burton has nurtured Depp’s performances in ways other directors haven’t, but it’s in that very strangeness where Depp is at his best and can convince you that there could well be someone like Edward Scissorhands (figuratively speaking) out there. This performance is one of his best due to how well he uses his facial expressions, physicality and gestures, as the character rarely (if ever) actually speaks.

1. Captain Jack Sparrow in Pirates of the Caribbean (2003-2017)
Johnny Depp as Captain Jack Sparrow

It wouldn’t be a ‘best performances by Johnny Depp list’ without the iconic Captain Jack Sparrow. Aside from the fact that Gore Verbinski’s original Pirates trilogy is one of the most audacious and well worked in cinema history, it simply wouldn’t be as memorable without Depp’s very individualised performance as Captain Jack Sparrow.

Depp not only imbued Sparrow with his own signature idiosyncrasies and oddness, but he also drove a majority of the creative choices around the character. From the Pepé Le Pew and Keith Richards inspired look/feel, to the very specifics of how he walked and talked — this character went against the grain of expectation that Disney had initially wanted.

Depp subverted the image of how pirates historically acted and carried themselves by playing the role in a very caricature like manner. He injected Sparrow with a certain flamboyance courtesy of his gestures, and gave him a drunken demeanour even when Sparrow was at his most sober. Depp went as far as to suggest that the character should walk normally when he is on the ship, while being off-kilter and erratic when on land.

All of these choices alongside the bravado with which Depp delivered them through his performative toolkit are what gave the Pirates franchise such clear bearings. There is no Pirates of the Caribbean without Jack Sparrow and there is no Jack Sparrow without Johnny Depp.

Notable omissions: Sweeny Todd in Sweeny Todd: The Demon Barber of Fleet Street (2007), William Blake in Dead Man (1995), and Ichabod Crane in Sleepy Hollow (1999).

Best of 2021: Arnel’s Picks

With another year having drawn to a close, Rating Frames is looking back at the best new releases of the last twelve months.

It was a difficult year for the medium, owing to numerous delays and cancellations – these retrospectives would be quite different had MIFF been able to run its full schedule – but there were still some excellent films released that we all wanted to celebrate.

In the last of our end-of-year articles, Arnel Duracak will be revealing his ten favourite pictures of 2021.

In arguably one of cinema’s most challenging years ever, 2021 surprisingly stood the test of time to become one of the best years for films and film lovers in the 21st century.

There were films by Paul Thomas Anderson, Steven Spielberg, Wes Anderson, Denis Villeneuve, Todd Haynes, Edgar Wright, Jane Campion, David Lowery, Lana Wachowski, Steven Soderbergh, M. Night Shyamalan, Shaka King, Zack Snyder, Sean Baker, Mike Mills, James Gunn, Lin Manuel Miranda, Adam McKay, and Ridley Scott (two from him) all coming last year, and that’s just the tip of the iceberg.

My point is, as impacted as cinema was in 2021, there was a silver lining in terms of the films we got from the large pool of iconic filmmakers available. My list is a sum of my experiences with some of those filmmakers and their films, and here’s to a promising 2022.

10. The Last Duel

Having one new Ridley Scott film these days feels like a rarity that needs to be savoured, but two? Now that’s like seeing a UFO. But The Last Duel isn’t just rare because it’s a film from a legendary filmmaker in his later years, it’s also a film that doesn’t come around too often. In fact, this film is Ridley Scott at his directing best, all the while bringing in the grit and tension that make his films so enjoyable.

Through a chapter like structure, this film is about the closest thing we have to Scott’s iconic Gladiator (2000) as it keeps you engaged right throughout courtesy of some clever editing and writing, and it sees Jodie Comer deliver her best performance yet (even outshining her male counterparts Adam Driver, Matt Damon, and Ben Affleck to a lesser extent given his minimal on-screen time).

The Last Duel is also memorable due to its practical filmmaking (incorporating practical combat rather than taking the easy route through CGI), well worked story, and captivating performances. Unfortunately, Scott’s other film of 2021, The House of Gucci, doesn’t hit the same high as this one but both are worth watching if not for want, then for the icon that is Ridley Scott.

Currently streaming on Disney+.

9. Nobody

I can only imagine that screenwriter Derek Kolstad’s logline to get this screenplay green-lit was “John Wick but with Bob Odenkirk dialled up to 11”. Nobody is the John Wick (2014) of 2021 and this was one of the first films I saw in a packed cinema at the start of 2021. It was an exhilarating experience and one that got me excited to get back into the cinema.

With a relatively simple premise that sends Odenkirk on a revenge killing spree after his daughter’s Hello Kitty bracelet is nabbed during a failed house robbery, Ilya Naishuller’s Nobody is a joy ride from start to finish. While the film doesn’t capture the awe and suddenness that came with seeing a rampant Keanu Reeves in John Wick back in 2014, Nobody is still a rowdy 90 minutes at the cinema.

The closing sequence is one of my most memorable from last year with a shotgun wielding Christopher Llyod going berserk alongside Odenkirk — Doc and Saul Goodman really paint the town red here.

Currently streaming on Prime and Binge.

8. The Mitchells vs. The Machines

When adding films to my top of the year list, I kept asking myself “why does this film deserve a spot on my list?”; in the case of The Mitchells vs. The Machines the answer was pretty simple: there wasn’t an animation like it in 2021.

Michael Rianda does a stellar job with telling a story about family and the drama of family life, while also managing to tap into ever present fears around technology as it becomes more advanced. This animated road movie is essentially We’re The Millers (2013) meets I, Robot (2004) but it’s actually funny and it actually handles its subject matter quite well.

The animation style here has been spoken about a bit, and while it does take a bit of time to adjust to the striking style like with Spider-Man: Into the Spider-Verse (2018), the animators prove that animation doesn’t need to be a cookie cutter process.

Currently streaming on Netflix and available on DVD.

7. Minari

The second of my two 2020 films seen in 2021 courtesy of Australia’s awful theatrical schedule, Minari is a compelling piece of storytelling by Lee Isaac Chung that focuses on themes of family, loss, the American dream (or whatever that means today), and the immigrant experience.

With a cast that gives it their all (comprised of Steven Yeun, Han Ye-ri, and Youn Yuh-jung whose performance won her an Oscar), a well written script, and excellent direction, Minari has a bit of everything for everyone.

Coming from an immigrant background with refugee parents, this film really hit home in terms of the difficulties families experience when moving to a new country and the struggles of growing up relatively poor. If you haven’t seen Minari yet, what are you waiting for!

Currently available on home-video and on-demand services.

6. The Father

The Father is a heartfelt and considerate film that provides a unique outlook on the struggles of dealing with dementia from the perspective of a character dealing with the condition.

Director Florian Zeller directs his play of the same name and he’s evidently had the look of this film down pat for a while — focusing on enclosed spaces with lots of mid-shots, close-ups and extreme close-ups and using space to his advantage.

With Anthony Hopkins winning his second Best Actor Oscar and making history as the oldest actor to win a Best Actor Oscar at the ripe age of 83, this film is all about the performance. It’s an interesting idea to look at the condition from the perspective of the patient, and Zeller does so by brilliantly playing with time through smart editing and staging (take note Nolan).

While this film is technically listed as a 2020 release (as is another on this list), Australia unfortunately has an awful theatrical window so I’ve had to adjust accordingly and this film deserves a place on my list. 

Currently streaming on Prime Video and Foxtel Now.

5. Dune

Having read Frank Herbert’s novel of the same name shortly before its release, Denis Villeneuve’s Dune is blockbuster filmmaking at its very best that honours Herbert’s writing through visual splendour that only the cinema can offer.

The film has everything you want from a blockbuster: scale, mesmerising world-building, a lived in feel, a large ensemble, wondrous set pieces, a resounding score, and (for the most part) grounded storytelling.

Villenueve has once again proven his worth by tackling a piece of fiction and an iconic title often deemed unfilmable due to its scope and depth, and he’s left his imprint on it in the process. He incorporates his fondness for slow cinema with plenty of moments of recollection and contemplation to be had, and he sets the stage for a sequel that will no doubt have a lot more riding on it given the success of this picture (especially considering his 2017 feature, Blade Runner 2049 was a box office flop).

The film is not flawless given that characters aren’t all that interesting and the performances are quite mute (there’s not one that stands out from the other), but it’s a fitting first adaptation of half of Herbert’s novel and lays the foundation for a (hopefully) more spectacular part two.

Currently screening in theatres nationwide and will soon be on Blu-Ray.

4. C’mon C’mon

A film that was unbeknown to me for the majority of last year, C’mon C’mon is one of those cozy and warm films that you would just want to hug if it was a tangible object.

Mike Mills writes and directs this tender story of connection and self-discovery, with two resounding performances from the incomparable Joaquin Phoenix and newcomer Woody Norman. Phoenix plays Johnny, the uncle of Norman’s character Jesse, and the two of them spend the film together after Jesse’s mother leaves town for a week or so to tend to her mentally ill husband. What ensues is a sweet and earnest film that revolves around a shared journey of self growth as the two characters confide in one another and open each others eyes to the world around them.

The film is shot in black and white which works to its advantage as, even among the very colourlessness of the world, the two characters stand out like a sore thumb; in other words, by being in each others company and experiencing the world through unfiltered conversations (particularly from Jesse), these two become the most colourful parts of the world. Mills meticulously builds his story through the characters’ shared experience to the point where their bond and relationship leads Johnny to view the world in a different light and have a much needed awakening or wake up call.

Children and their world view is at the forefront of the film as Johnny interviews various child subjects due to his radio profession, but Jesse is his gateway to something more real, and Mills makes sure that reality is felt beyond the diegetic world. 

Releasing in select Australian cinemas on the 17th of February 2022.

3. In The Heights

In what felt like the year of the musical with West Side Story, Tick Tick Boom, Dear Evan Hansen, and Annette, it was In The Heights that reigned supreme in 2021. I’m usually not a big fan of the musical genre — with The Umbrellas of Cherbourg (1964) being an exception — but In The Heights rekindled my faith in the genre and in its future in cinema.

Jon M. Chu directs the hell out of this adaptation of Lin Manuel Miranda’s first successful broadway musical,  which is filled with brilliant choreography and item numbers, a dedicated cast, an infectious energy that sucks you in the longer the film plays out, and a considerate, thought provoking perspective on gentrification and the Latino community at its core.

I must say, I’m yet to see West Side Story, but In The Heights was really the film to get me excited for everything else that would grace our screens in 2021, and it came at the right time during the despondent events that continue to plague the world. 

Currently available for rent on Prime and for purchase on DVD.

2. Pig

Michael Sarnoski’s Pig moved me in ways that no other film in 2021 had. With a simple yet gripping story and an emotionally charged Nicolas Cage cashing in his best performance in years, this film hit all the right emotional chords for me — leading me to rewatch it a few days after my initial viewing.

Pig doesn’t go down the conventional route of a revenge thriller even though it might appear that that’s the direction Sarnoski is heading; instead, the film is about reflection, mourning and a wider commentary on how we forgo what we love in favour of a life of conformity in a capitalist system where we ultimately lose sight of who and what we are.

There are so many layers in Pig for a runtime of around 90 minutes, and had Licorice Pizza not been released, this would have been at the tippity top of my list. 

Currently available on home-video and on-demand services.

1. Licorice Pizza

That brings me to Paul Thomas Anderson’s latest, or the quintessential film of 2021. It takes everything we know and love about PTA — his undying connection to the San Fernando Valley, the 70s period, characters that are larger than life, the themes that underpin his work, the formal devices from his cinematic toolkit — and meshes it all into one. The result is a heartwarming tale of self-discovery and companionship, and one that traverses the fine line of adolescence and adulthood while managing to bridge the two worlds together.

Acting newcomers Cooper Hoffman (Phillip Seymour Hoffman’s son) and Alana Haim (from the pop rock band Haim), deliver captivating and confident performances of youth angst and free spiritedness. Their chemistry is magical and infectious and it’s hard not to see bits of yourself in their performances (such is the magic of PTA’s screenplays).

Licorice Pizza was always going to be a shoehorn for one of my favourite films of 2021 due to the man at its helm, but it deserves all the praise it has received and it deserves to be seen on the biggest screen you can find.

Currently screening in select theatres nationwide.

Honourable Mentions: Encanto, Annette, Judas and the Black Messiah, The Matrix Resurrections

Best of 2021: Darcy’s Picks

With another year having drawn to a close, Rating Frames is looking back at the best new releases of the last twelve months.

It was a difficult year for the medium, owing to numerous delays and cancellations – these retrospectives would be quite different had MIFF been able to run its full schedule – but there were still some excellent films released that we all wanted to celebrate.

In the second of our end-of-year articles, Darcy Read will be revealing his ten favourite pictures of 2021.

The majority of the year was dominated by great television (It’s a Sin, The Underground Railroad) as cinemas were closed and films were delaying their releases as filmmakers faced massive challenges in production due to the pandemic. But absence makes the heart grow fonder as the last three months of the year had me going back to the theatre as often as possible.

In a year spent mostly watching films at home, it’s perhaps surprising to see the majority of my list be films seen in theatres, although that definitely influenced my enjoyment of each film seen on the big screen.

10. The Father

The earliest entrant on my list, with many lists placing it on the 2020 calendar instead, but a very small amount of the audience for Florian Zeller’s The Father actually saw the film that early, so here it is on my list. I am usually not fond of filmed plays, but Zeller’s work is undeniable and the care and consideration taken to adapt his own play into the medium of cinema is remarkable. 

Currently streaming on Prime Video and Foxtel Now.

9. Red Rocket

Sean Baker’s new feature Red Rocket is a unique prospect in modern American moviemaking. It is a difficult and enthralling challenge to the audience that even in its final moments, you aren’t sure what side of the fence you land. Mikey is a true antihero; a loathsome, motor-mouthed, hustling suitcase pimp returning home to Texas City after 20 years working as an adult film star in LA. The film will have you questioning your feelings and emotions throughout, with Baker expertly weaponising his humanist approach towards an individual that may or may not deserve retribution. You will never hear NSYNC’s ‘Bye Bye Bye’ the same way again.

Currently screening in theatres nationwide.

8. Wheel of Fortune and Fantasy

The year of Ryûsuke Hamaguchi will no doubt culminate in an Oscar for his critically beloved Drive My Car (2021), a film that no doubt would’ve been on my list if it was released in time (the film is not slated to release in Australia until February), but I hope the success of that film does not cloud the achievement of Hamaguchi’s other release of the year, Wheel of Fortune and Fantasy.

This extraordinary short film triptych floats elegantly through ideas of love, chance, and opportunity in three 40-minute short films that have stuck with me longer than most other films this year. You will bring yourself to each story and each viewer will no doubt have a different personal favourite with mine being the second story “Door Wide Open”, a compelling story that may have been my favourite film of the year if it was stretched into a feature.

Will hopefully be available online soon.

7. Pig

What originally sounded like a Nic Cage led John Wick (2014) film set in Portland, eventuated into a deeply human tale of art, creativity, and love set in the intoxicating world of Oregon fine dining. Michael Sarnoski’s feature debut Pig has the feel of a grizzled vet reflecting on a long career, making it all the more impressive and rewarding to watch. A name to keep an eye on for years to come.

Currently available on home-video and on-demand services.

6. The Velvet Underground

The film I have thought about more than any other this year. Director Todd Haynes’ The Velvet Underground has crafted an immersive world of 60s New York counterculture on the immortal band that had little to no live performances captured on film, whilst never feeling this absence. Haynes is one of the best working American directors and has crafted one of his most complete works celebrating his favourite band and arts movement. If only it could be seen on the big screen and have the opening credits and ‘Venus in Furs’ wash over a packed theatre.

Currently streaming on Apple TV+

5. Dune

There is an overwhelming visual splendour that can’t be overstated with a film like Dune. In an era of blockbuster cinema dominated by Marvel Studios, the visual flair that Villeneuve developed with the extraordinary Blade Runner 2049 (2017), and has deployed with precision here, is both refreshing and awe-inspiring. Dune is only half of Herbert’s story so rating it as a whole is difficult, but the film works so well on its own to more than earn its place on this list.

Currently screening in theatres nationwide.

4. The Power of the Dog

A striking film from a returning legend, The Power of the Dog is a slow build that creeps under your skin and never leaves. The most anxiety-inducing scene of the year can be found in the film between Benedict Cumberbatch, Kirsten Dunst, a piano, and a mocking banjo. Campion weaponises her emotive writing and filmmaking trademarks with a combination of sharp-toothed writing and superb performances that gives the film an off-beat flow that keeps its cards close to the vest and its audiences on the edge of their seat.

Currently streaming on Netflix.

3. The Green Knight

The 2021 released film I’ve rewatched the most, The Green Knight is a well of ideas that is a treat to return to. Each viewing uncovers new elements as well as cementing key moments in this peculiar and deeply rewarding fantasy story that revels in its ambiguity. The director David Lowery’s assuredness throughout the film to be comfortable leaving the audience confused for stretches of Gawain’s quest, knowing the emotionality of the film work as a guide rope through the darkness, is wonderful and all too rare in modern American cinema.

Currently streaming on Amazon Prime.

2. The Worst Person in the World

It’s the quiet moments mixed into the loud ones that make it special. A walk home alone from a party. A conversation with your distant father after he misses your 30th birthday. Taking a friend’s photo as you explore his old apartment building. Joachim Trier’s masterpiece The Worst Person in the World will knock you off your feet early on and send you tumbling down its emotional rapids for its runtime.

His previous film of his “Oslo Trilogy”, Oslo, August 31st (2011) (2006’s Reprise being the first entrant), has a consistent bleakness that slightly calloused the viewing experience, preventing an audience from falling in love with his wonderfully crafted characters. This is not the case with The Worst Person, which mixes humour and pure rushes of love with the ennui that will have you enraptured.

Not enough can be said about Renate Reinsve’s performance as Julie, a truly star-making performance that is by far the year’s best. Where Reinsve shines brightest is when Julie allows herself to be herself, a high we find ourselves chasing with her throughout the film’s 12 chapters. One such moment is the party meeting sequence between Julie and Elvind (Herbert Nordrum); 20 perfectly balanced minutes of the magically intimate waltz of words and emotions that make their inevitable coupling so exhilarating and is among the film’s several transcendent scenes.

For a film with a title like The Worst Person in the World that deploys a post-modern narrator commenting on Julie’s decisions other than merely describing them, Trier has crafted a coming-of-age story that is unbelievably kind and welcoming, which helps the audience feel looked after and willing to give themselves over to the film.

Currently screening at select cinemas.

1. Licorice Pizza

My most anticipated film of the year was always going to feature highly on this list, and Paul Thomas Anderson did not disappoint in this often surprising, frequently hilarious coming-of-age film. Licorice Pizza sees possibly my favourite director loosen his collar and explore ideas of adolescent stagnation whilst never indulging in the nostalgia of his own past. There is no doubt this film will eventually become my most-watched film of the year with an enchanting world that will no doubt grow and evolve as the years go by.

Licorice Pizza is my favourite film of 2021, coming from a filmmaker that feels at his most comfortable while also being able to thrill in equal measure. Anderson is a writer and filmmaker like no other working today. He has created a 70s coming-of-age film with two of the most realised characters of recent American cinema history in Gary and Alana that will live on long in my memory.

Allow this film to wash over you with its gorgeous visuals and recreation of the 70s in The Valley, and find yourself totally engrossed in a story of teenage and early 20s stagnation while searching for your place in the world.

In a year stuck at home with little else to do but take stock of one’s life, it feels only right that the two films that sang to me this year are two that were not these immaculately crafted pieces of artistic achievement but instead worked as mirrors, seeing myself in the eyes of each and every person shown on screen, both their emotional peaks and valleys.

Currently screening at select theatres nationwide.

Honourable Mentions: Zola, Malignant, In the Heights, Azor

Best of 2021: Tom’s Picks

With another year having drawn to a close, Rating Frames is looking back at the best new releases of the last twelve months.

It was a difficult year for the medium, owing to numerous delays and cancellations – these retrospectives would be quite different had MIFF been able to run its full schedule – but there were still some excellent films released that we all wanted to celebrate.

In the first of our end-of-year articles, Tom Parry will be revealing his ten favourite pictures of 2021.

Unlike his fellow critics at Rating Frames, yours truly has spent the last twelve months away from Melbourne, avoiding protracted lockdowns yet also missing frequent visits to his favourite haunts – no theatre in regional Victoria can match the majesty of a communal screening at Nova, nor can any town provide the satisfaction of a post-cinema burger at one of Naarm’s many fried-food eateries.

This author’s temporary relocation has also meant being unable to see many of the titles listed by his two Melburnian counterparts (which shan’t be spoilt… for now) and as such, the following list is of a lesser quality than theirs. But the pictures below are just as worthy of acclaim, and at the very least, offer a more… egalitarian alternative to Arnel and Darcy’s choices.

10. My Name is Gulpilil

The passing of its main subject in November has given even further resonance to this pick, which was always intended to be his final on-screen appearance; yet even without that knowledge, My Name is Gulpilil remains one of 2021’s best, being a poignant, stirring narrative told by David Gulpilil himself – one that is open, honest and never shies away from his demons. It’s nothing short of a fitting, touching finale to a fixture and icon of the Australian screen.

Currently available on home-video and on-demand services.

9. Lupin III: The First

Here’s one that hasn’t been covered on Rating Frames, nor anywhere else by this author until now. Given a limited, brief theatrical release here last January – 13 months after debuting in its native Japan – Lupin III is (ironically) the umpteenth feature-length adaptation of the famed manga series; but it is The First to be drawn and animated via computer-generated imagery, looking fantastic whilst remaining true to the original designs of the manga. Witty, energetic and slightly absurd, it’s an adventure well worth seeking.

Currently available on Blu-Ray and select on-demand services.

8. The Mitchells vs. The Machines

Sony Pictures Animation is possibly the only studio countering the unassailable dominance of Disney and Pixar right now – where the Mouse House and its subsidiary are producing movies more formulaic than the last, Sony is taking the opposite approach and releasing films that are unique to all others, including their own. There’s much to love about The Mitchells vs. The Machines, chiefly an inimitable art-style and zippy animation, both of which need a large screen to be truly appreciated. (We want that theatrical release, Sony!)

Currently streaming on Netflix and available on DVD.

7. The Suicide Squad

It should come as no surprise to know that James Gunn’s The Suicide Squad is irrefutably better than David Ayer’s similarly-titled, hapless adaptation; indeed, the more surprising feat is how entertaining Gunn’s film is in its own right, not only besting DC’s recent output in terms of action, humour and heart, but also a majority of instalments in the MCU. Eccentric in nature and distinctive from the competition, it’s a gratifying alternative to the superhero norm.

Currently available on home-video and on-demand services.

6. Nitram

Director Justin Kurzel is no stranger to telling controversial stories, making him the ideal candidate to helm a feature about one of the most chilling events in Australia’s history. Just like his past work, Nitram sees Kurzel handle the sensitive material with restraint and grace, yet he doesn’t shy away from confrontation, demonstrating the brave, bold style of film-making that has been lacking in our industry of late. Be sure to watch for the turns of Judy David and Caleb Landry Jones as well.

Currently streaming on Stan.

5. Judas and the Black Messiah

A biographical drama that benefitted from a delayed and extended Awards season, as well as a powerful debut from an African-American director. There’s an enormous degree of nuance to Shaka King’s Judas, which never defines its characters as good or bad; instead, they’re a group of complex, fluid individuals who constantly evaluate their allegiances and question their choices. And of course, it’s lead by three of the finest actors of their generation, all of whom put forward captivating performances.

Currently available on home-video and on-demand services.

4. Evangelion: 3.0+1.0 Thrice Upon a Time

The highest-grossing theatrical release of 2021 in Japan, and with good reason. Hideaki Anno bids farewell to his medium-defining franchise by instilling Thrice Upon a Time with all the usual hallmarks – think philosophical screenplay, exquisite animation, haunting imagery, and majestic soundtrack – while easing back on the bleakness and rectifying the drawbacks of its predecessors. The result is a feature-length anime that ranks not only as the best animated picture of the year, but one of the greatest ever made.

Currently streaming on Prime Video.

3. Minari

A darling of Sundance and another latecomer to the 2020 Oscar race, it wasn’t until February of 2021 that the majority of Australians got to experience Lee Isaac Chung’s drama. Those fortunate enough to see Minari were treated to some astonishing performances from a gifted cast; and a pensive narrative, one that will particularly resonate with migrants regardless of where they’ve hailed from, or where they live now.

Currently available on home-video and on-demand services.

2. Summer of Soul

This music documentary and directorial debut of Ahmir “Questlove” Thompson very narrowly misses out on the top spot in this list, its only faults being some questionable choices for interview subjects, and the varying quality of concert footage. Otherwise, Summer of Soul is close to perfect, an insightful and compelling documentary about African-American pride that doubles as a showcase for the greatest musicians of an era gone by, such as Mavis Staples and Mahlia Jackson (pictured above).

Currently streaming on Disney+.

1. Spider-Man: No Way Home

As an unabashed fan of the Marvel Cinematic Universe – and to a lesser extent, the Spider-Man films – this was always guaranteed to be a personal highlight of 2021; yet even with the enormous hype surrounding it, Jon Watts’ threequel was still able to exceed expectations. No Way Home serves as a tribute to its forebears, drawing inspiration from their examples whilst also functioning as the perfect denouement to three separate franchises, all while not forgetting to be a fun, moving and thrill-laden blockbuster.

Currently screening in theatres; available on home-video March 23rd.

Honourable Mentions: Last Night in Soho, Dune, West Side Story, Amphibia: True Colours